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Preview the new CD
This is an amazing audio and notation encyclopedia of every djembe and dun dun part for 50 Rhythms! |
 After I wrote my last blog post I went to the nightly drum circle here in Arambol Beach, Goa, India. It is quite large. The drum circle usually starts off quite nicely before sunset but has been getting out of hand as the evening progresses. The drums entertain and also bring out the wild side of people, especially those who have been drinking all day prior to coming to watch,dance or drum! drum jam [...]  A conga student asked me recently, “how do I take a solo when I am playing with a band and the band stops, and I am left by myself? No one else is playing, it is just me”? This is a great question and here is how I do it. [...]  One thing I have noticed in my many, many moons of drumming is that although someone may be trained in west african drumming music, djembe or dununs and technically be a great or at least a knowledgable djembe player or even drum teacher, it does not mean they know how or can play djembe solo or more accurately lead djembe for a dance class. [...]  West African hand drumming and specifically speaking, “traditional djembe drumming” is based on a system of fundamentals or “basics” just like any other type or form of drumming be it Indian, Afro Cuban, Brazilian or even the western drum set. There are rudiments or “basic fundamentals” of djembe playing that can be similar to drum set rudiments but also have some other important factors that are often missed in the learning process of many djembe players of all different levels. And what are djembe rudiments? They can consist of techinque, basic rhythm structure concepts, composition (how pieces are formed and go together), “the feel”, learning the basic djembe hand patterns and learning the dunun. It is also important to learn about the history of the music you are playing and the meaning of the pieces as well. I will discuss some of these items now. [...]  In all my years playing, studying and teaching West African rhythms and percussion I have always come across an interesting and challenging situation. It is really hard to find people, that is to say djembe players, other fellow percussionists or drum students who want to learn the dunun patterns, individual traditional dunun parts and or ballet arrangements on 2 or 3 dununs or more. dununs are also known as djun djuns, doun douns or [...]  In December I will be teaching a very fun and relaxed two week workshop in West African drumming, djembe, dununs and “non competitive” drumming for all levels in the very beautifu, peaceful and exotic village of Arambol , Goa, India. All levels of drummers are welcomed and you do not have to take the entire course. [...]  Let’s face the facts. Until Mamady Keita arrived in the USA we were playing djembe ass backwards. For example, Mandiani was more often then not being played backwards as Soli, (Donba in Senegal) or visa versa. We were doing the best we could at the time as there was very limited resources available in the late 70′s and very few instructors as well. It was prior to the internet and consumer cmcorders were still [...]  Maybe you are a beginer or perhaps you have been drumming a while. A challenge or problem that we all face at one time or another in our drumming life is “where do I fit”? What is the type of music I really want to play and who are the people that I want to play with or learn from? Do I want to freestyle or play traditional music? [...]  After field testing and working closely with the Drum Factory and Ed Balma in Ubud, Bali for over a year we now have two new beautiful prototype MP Eco Pro wood djembe models ready for the market, a 12 ” and a 13″ (6ocm and 65cm) ! They will be distributed in the USA by X8. It’s been a long and windy road bringing these drums to fruition but here they are. [...]  I recently received a 2 DVD set from Ultimate Guru Music Company in India of a very interesting musical percussion artist named Taufiqu Queresh. The first thing I noticed is the quality of the box, artwork and packaging. Very well done! When you open the box there is full color booklet attached to the box so you will not loose it. The design of this project was very well thought out. The book includes photos, credits and sound explanations. [...]  Have you heard of the Mano Secreto? It is the secret hand technique used and first made popular by percussion legends Changuito and also Giovanni Hildago. Prior to these great conga players there was another player named tat Guines in Havana Cuba who was developing this technique. Why is it secret? Because until recently (well about 10 years or so ) no one else could do it. Now everyone is doing it but there are not a lot of great instructional videos about it unfortunately. [...]  You have just been to your first drum circle and you are fully charged up and excited to play drums. Or maybe you have been to several drum circles or drumming events. It was fun and exciting to play your drum with other people. You want to do it more and more. So what happens next? Maybe you are having fun playing in your home to a CD, DVD, iTunes or by yourself at the beach. [...]  I love to play djembes and I also love to study the music we make with djembes. Djembe soloing is a very small part of djembe music as a whole. The djembe is a communal drum and is about community and unity. We all (myself included) get caught up in being the soloist as it is so much fun! But keep in mind that it is about a whole group of people, musicians,dancers and others, too! [...]  My latest instructional DVD, “How to Play Afro Cuban Congas” has just been relased today on earthcds.com. This DVD features almost everything I have learned in the last 25 years or more studying, learning, teaching and performing conga drums around the world. There is in depth looks at all the major rhythms with break down sections, slow motion and different vantage points as well. [...]  Many people often ask me “what was it like to study and travel in Guinee”? And “where did you like better Guinee or Mali”? I love both places to study and live but for different reasons. In Guinee I stayed with the late great Kemoko Sano and his family at his compound in Merveilles. I went to Guinea with an old friend who was traveling with me in Mali. But my friend did not like it there so he left after a few days to another compound. It was very interesting for me to stay in a place where no one spoke english except my teacher whose english was barely understandable at best. [...]  My first drum teacher used to chant repeatedly, “minimum input maximum out put” when it came to the topic of playing techniques and how to hit the drum. It was true over 30 years ago and it is still true now. What he was talking about is that it is not important how hard you hit the drum but it is about the technique you use. [...]  Toca artist and Toca endorsee Michael Pluznick shows the fun Zaouli break and Kuku solo technique for djembes and dunun on Toca Stage Series Pro wood djembe and Toca Freestyle Djundjuns. [...]  Does age matter when playing or performing drumming and percussion music? Yes and no.Many of us who have been playing for a while would obviously like to keep playing for a while. I myself am over 50 years old. I am constantly playing with players half my age and sometimes more. Of course there are always going to be some age or physical limitations, but there does not have to be any cramp in your style and with the proper maintanance and care of our bodies there should be no reason why we can not play well into our 90′s! They do in Africa! [...]  Respect yourself, respect others. Sometimes if you are new to an area and trying to break into an unfamiliar world music scene or drumming situation a subtle approach is better then an aggressive approach. [...]  What do you do when you are completely cold and suddenly have to play hot? Last night the islands best trumpet player performed with his band at Bali’s version of Yoshis called interestingly enough, Ryopshi’s! Any coincidence? Great sushi and great tunes. Rio Sadik, the trumpet player, singer and “star of the show”, ( as James Brown would say), was in rare form. The venue was so packed you could not move. Raymond, my impromptu agent and good friend here in Bali, Indonesia called his long time pal Rio earlier to confirm me sitting in but I think I got there way to late and there was already another conga player there. [...]  Here are some tips on soloing on the djembe drum. Please do not be afraid to express yourself when the time is appropriate (your turn) to solo on djembe. Every chance you get is a good chance to play and improve your playing. I’ll be the first to admit I have thought about throwing my drum in the fire after hearing a child in Africa drum circles around m [...]  f you are like any of us that have been around the ethnic or world drumming and music scene for many years, then you may have experienced some hard times trying to learn the drumming, percussion or music from another culture. Please don’t get discouraged if you are trying to learn drumming and are having a hard time. For some of us it never comes easy. And it does take time. When we first hit a drum we thought it was going to be easy! We heard a pleasing sound at once, and we played a rhythm and thought we had it all right then in there. But once you start to study you get to see it is quite involved. [...]  We are looking for a talented multi disciplined dance teacher for a new world dance , movement and world music center/studio on the beautiful and exotic Koh Samui Island in scenic Thailand. If you can teach salsa, brazilian, west african and more please contact us soon. The center is just forming now. Other dance teachers and people in the movement arts are welcomed to contact us as well. We will also be offering classes [...]  People often ask me about a training program. What could they do to improve their drumming and or improve more rapidly? I put together the following suggestions based on my own training program that I have followed for many years. Those of you who know me personaly know I am a bit of a fanatic so of course you can tone down the program to suit your own personal needs. So just take a few ideas from here or all of them. “Arai gor dai” as they say in Thailand (“up to you”)! So pick and choose and enjoy your practice and training ritual. remember it’s “playing” and playing is FUN! [...]  Are you a percussionist, drummer or musician and are ready to go out there into the “real world” and make a go at it as a pro? If so I have some solid suggestions I have learned along the way I can share with you here. If you follow these tips you will be well on your way. One thing I have noticed over the years and a very important life lesson for me has been that it is not usually the most talented or best player that get’s the great gigs, it is the person with the most outgoing personality, the person who networks and get’s out there. It’s an undeniable fact, and one that needs to be acknowledged if you are going to try and be in the music business. [...] |
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Copyright © 2012 Michael Pluznick - All Rights Reserved |
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