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Preview the new CD
This is an amazing audio and notation encyclopedia of every djembe and dun dun part for 50 Rhythms!  |
 My latest instructional series on how to play the djembe and west african drumming styles is now available for easy downloads at X8drums.com. This easy to follow tutorial series features easy to follow instructions, over the shoulder shots and special slow motion sequences to make your learning experience easier and fun! Please check it out at X8drums.com where you can see and hear a free sample. [...]  This is the first opportunity ever for people who work with rhythm to come together in Asia to network, discuss our knowledge and experience, share our “rhythmical spirit”, and (best of all) have crazy fun together in a tropical setting at one of Malaysia’s best beaches. (Did somebody say “Late night”?) [...]  Well folks, it is finally here! After a very long road of playing, videoing, shooting, editing and re editing I am very excited to let you all know that my all new DVD, “How To Play Djembe” Volume 1 is now available at X8drums.com. It is over 1 hour and 40 minutes long and covers every possible aspect of how to play the djembe! [...]  After I wrote my last blog post I went to the nightly drum circle here in Arambol Beach, Goa, India. It is quite large. The drum circle usually starts off quite nicely before sunset but has been getting out of hand as the evening progresses. The drums entertain and also bring out the wild side of people, especially those who have been drinking all day prior to coming to watch,dance or drum! drum jam [...]  A conga student asked me recently, “how do I take a solo when I am playing with a band and the band stops, and I am left by myself? No one else is playing, it is just me”? This is a great question and here is how I do it. [...]  One thing I have noticed in my many, many moons of drumming is that although someone may be trained in west african drumming music, djembe or dununs and technically be a great or at least a knowledgable djembe player or even drum teacher, it does not mean they know how or can play djembe solo or more accurately lead djembe for a dance class. [...]  West African hand drumming and specifically speaking, “traditional djembe drumming” is based on a system of fundamentals or “basics” just like any other type or form of drumming be it Indian, Afro Cuban, Brazilian or even the western drum set. There are rudiments or “basic fundamentals” of djembe playing that can be similar to drum set rudiments but also have some other important factors that are often missed in the learning process of many djembe players of all different levels. And what are djembe rudiments? They can consist of techinque, basic rhythm structure concepts, composition (how pieces are formed and go together), “the feel”, learning the basic djembe hand patterns and learning the dunun. It is also important to learn about the history of the music you are playing and the meaning of the pieces as well. I will discuss some of these items now. [...]  In all my years playing, studying and teaching West African rhythms and percussion I have always come across an interesting and challenging situation. It is really hard to find people, that is to say djembe players, other fellow percussionists or drum students who want to learn the dunun patterns, individual traditional dunun parts and or ballet arrangements on 2 or 3 dununs or more. dununs are also known as djun djuns, doun douns or [...]  In December I will be teaching a very fun and relaxed two week workshop in West African drumming, djembe, dununs and “non competitive” drumming for all levels in the very beautifu, peaceful and exotic village of Arambol , Goa, India. All levels of drummers are welcomed and you do not have to take the entire course. [...]  Let’s face the facts. Until Mamady Keita arrived in the USA we were playing djembe ass backwards. For example, Mandiani was more often then not being played backwards as Soli, (Donba in Senegal) or visa versa. We were doing the best we could at the time as there was very limited resources available in the late 70′s and very few instructors as well. It was prior to the internet and consumer cmcorders were still [...]  Maybe you are a beginer or perhaps you have been drumming a while. A challenge or problem that we all face at one time or another in our drumming life is “where do I fit”? What is the type of music I really want to play and who are the people that I want to play with or learn from? Do I want to freestyle or play traditional music? [...]  ver the last 25 years or more I have had the great pleasure and good luck to be able to record percussion in recording studios all around the world. My first recording studio experience playing percussion instruments was with my friend and first drum teacher George Terzis. George invited me to a small recording session to play some Brazilian and Afro Cuban rhythms on top of some funk music in Boston in 1979. There were two rooms and I was impressed by all the gear and the organization of all the recording equiptment as well. It was like a top secret spy room from an 007 movie! [...]  Have you ever broken your skin on your drum or had your head pop on your djembe drum? I remember way back when I had just bought a new drum at a Mamady Keita workshop from Drumskulls. After the drum class when I arrived back home I put it in my kitchen and walked in the other room. I heard a loud bang. When I walked back in the head was completely ripped apart. What had I done? All I could do at the time was (sob) and call the goood guys down at the drum shop and drive all the way back to Santa Cruz from San Rafael (2 hours away). [...]  I recently received a 2 DVD set from Ultimate Guru Music Company in India of a very interesting musical percussion artist named Taufiqu Queresh. The first thing I noticed is the quality of the box, artwork and packaging. Very well done! When you open the box there is full color booklet attached to the box so you will not loose it. The design of this project was very well thought out. The book includes photos, credits and sound explanations. [...]  Have you heard of the Mano Secreto? It is the secret hand technique used and first made popular by percussion legends Changuito and also Giovanni Hildago. Prior to these great conga players there was another player named tat Guines in Havana Cuba who was developing this technique. Why is it secret? Because until recently (well about 10 years or so ) no one else could do it. Now everyone is doing it but there are not a lot of great instructional videos about it unfortunately. [...]  You have just been to your first drum circle and you are fully charged up and excited to play drums. Or maybe you have been to several drum circles or drumming events. It was fun and exciting to play your drum with other people. You want to do it more and more. So what happens next? Maybe you are having fun playing in your home to a CD, DVD, iTunes or by yourself at the beach. [...]  I love to play djembes and I also love to study the music we make with djembes. Djembe soloing is a very small part of djembe music as a whole. The djembe is a communal drum and is about community and unity. We all (myself included) get caught up in being the soloist as it is so much fun! But keep in mind that it is about a whole group of people, musicians,dancers and others, too! [...]  My latest instructional DVD, “How to Play Afro Cuban Congas” has just been relased today on earthcds.com. This DVD features almost everything I have learned in the last 25 years or more studying, learning, teaching and performing conga drums around the world. There is in depth looks at all the major rhythms with break down sections, slow motion and different vantage points as well. [...]  My first drum teacher used to chant repeatedly, “minimum input maximum out put” when it came to the topic of playing techniques and how to hit the drum. It was true over 30 years ago and it is still true now. What he was talking about is that it is not important how hard you hit the drum but it is about the technique you use. [...]  Toca artist and Toca endorsee Michael Pluznick shows the fun Zaouli break and Kuku solo technique for djembes and dunun on Toca Stage Series Pro wood djembe and Toca Freestyle Djundjuns. [...]  This last month I had the good fortune to be able to go to Bali once again. My focus was on teaching west african drum classes in Ubud and also playing with every band I could sit in with or gig (work) with. I had no idea that the musicians and drummers I would meet would be so receptive and talented. I had many interesting and surprising moments and experiences there as well. [...]  Does age matter when playing or performing drumming and percussion music? Yes and no.Many of us who have been playing for a while would obviously like to keep playing for a while. I myself am over 50 years old. I am constantly playing with players half my age and sometimes more. Of course there are always going to be some age or physical limitations, but there does not have to be any cramp in your style and with the proper maintanance and care of our bodies there should be no reason why we can not play well into our 90′s! They do in Africa! [...]  Respect yourself, respect others. Sometimes if you are new to an area and trying to break into an unfamiliar world music scene or drumming situation a subtle approach is better then an aggressive approach. [...]  What do you do when you are completely cold and suddenly have to play hot? Last night the islands best trumpet player performed with his band at Bali’s version of Yoshis called interestingly enough, Ryopshi’s! Any coincidence? Great sushi and great tunes. Rio Sadik, the trumpet player, singer and “star of the show”, ( as James Brown would say), was in rare form. The venue was so packed you could not move. Raymond, my impromptu agent and good friend here in Bali, Indonesia called his long time pal Rio earlier to confirm me sitting in but I think I got there way to late and there was already another conga player there. [...]  Here are some tips on soloing on the djembe drum. Please do not be afraid to express yourself when the time is appropriate (your turn) to solo on djembe. Every chance you get is a good chance to play and improve your playing. I’ll be the first to admit I have thought about throwing my drum in the fire after hearing a child in Africa drum circles around m [...] |
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