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<channel>
	<title>Michael Pluznick</title>
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	<link>http://michaelpluznick.com</link>
	<description>Percussion, World Music, and Multimedia</description>
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		<title>When stuff comes up at drum circles or out performing</title>
		<link>http://michaelpluznick.com/2012/01/15/when-stuff-comes-up-at-drum-circles-or-out-performing/</link>
		<comments>http://michaelpluznick.com/2012/01/15/when-stuff-comes-up-at-drum-circles-or-out-performing/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 05:54:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Drumming]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Travel]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2863</guid>
		<description><![CDATA[<p>After I wrote my last blog post I went to the nightly drum circle here in Arambol Beach, Goa, India. It is quite large.</p> <p>The drum circle usually starts off quite nicely before sunset but has been getting out of hand as the evening progresses. The drums entertain and also bring out the wild side of people, especially those who have been drinking all day prior to coming to watch,dance or drum!<p class="wp-caption-text">drum jam [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2012/01/15/when-stuff-comes-up-at-drum-circles-or-out-performing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Play A Conga Solo By Yourself With A Band</title>
		<link>http://michaelpluznick.com/2012/01/14/how-to-play-a-conga-solo-by-yourself-with-a-band/</link>
		<comments>http://michaelpluznick.com/2012/01/14/how-to-play-a-conga-solo-by-yourself-with-a-band/#comments</comments>
		<pubDate>Sun, 15 Jan 2012 05:22:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Drumming]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[band]]></category>
		<category><![CDATA[conga]]></category>
		<category><![CDATA[conga drums]]></category>
		<category><![CDATA[conga lesson]]></category>
		<category><![CDATA[conga solo]]></category>
		<category><![CDATA[drum]]></category>
		<category><![CDATA[drum solo]]></category>
		<category><![CDATA[how to play congas]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2844</guid>
		<description><![CDATA[A conga student asked me recently, "how do I take a solo when I am playing with a band and the band stops, and I am left by myself? No one else is playing, it is just me"? This is a great question and here is how I do it. [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2012/01/14/how-to-play-a-conga-solo-by-yourself-with-a-band/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to play djembe drums for west african dance class</title>
		<link>http://michaelpluznick.com/2011/09/11/how-to-play-drums-for-west-african-dance-class/</link>
		<comments>http://michaelpluznick.com/2011/09/11/how-to-play-drums-for-west-african-dance-class/#comments</comments>
		<pubDate>Mon, 12 Sep 2011 02:03:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Drumming]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[african dance class]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[dancer]]></category>
		<category><![CDATA[how-to]]></category>
		<category><![CDATA[instructional]]></category>
		<category><![CDATA[lead]]></category>
		<category><![CDATA[lead drum]]></category>
		<category><![CDATA[play drum for dancer]]></category>
		<category><![CDATA[solo]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[west african dance class]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2712</guid>
		<description><![CDATA[One thing I have noticed in my many, many moons of drumming is that although someone may be trained in west african drumming music, djembe or dununs and technically be a great or at least a knowledgable djembe player or even drum teacher, it does not mean they know how or can play djembe solo or more accurately lead djembe for a dance class. [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/09/11/how-to-play-drums-for-west-african-dance-class/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Understanding the Basic Fundamentals of Playing the Djembe Drum</title>
		<link>http://michaelpluznick.com/2011/09/10/understanding-the-basic-fundamentals-of-playing-the-djembe/</link>
		<comments>http://michaelpluznick.com/2011/09/10/understanding-the-basic-fundamentals-of-playing-the-djembe/#comments</comments>
		<pubDate>Sat, 10 Sep 2011 17:15:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Drumming]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[djembe]]></category>
		<category><![CDATA[djembe solo]]></category>
		<category><![CDATA[djumbe]]></category>
		<category><![CDATA[fundamentals]]></category>
		<category><![CDATA[how to play]]></category>
		<category><![CDATA[instructional]]></category>
		<category><![CDATA[jembe]]></category>
		<category><![CDATA[jenbe]]></category>
		<category><![CDATA[master drummer]]></category>
		<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2690</guid>
		<description><![CDATA[ West African hand drumming and specifically speaking, "traditional djembe drumming" is based on a system of fundamentals or “basics” just like any other type or form of drumming be it Indian, Afro Cuban, Brazilian or even the western drum set. There are rudiments or “basic fundamentals” of djembe playing that can be similar to drum set rudiments but also have some other important factors that are often missed in the learning process of many djembe players of all different levels. And what are djembe rudiments? They can consist of techinque, basic rhythm structure concepts, composition (how pieces are formed and go together), “the feel”, learning the basic djembe hand patterns and learning the dunun. It is also important to learn about the history of the music you are playing and the meaning of the pieces as well. I will discuss some of these items now.  [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/09/10/understanding-the-basic-fundamentals-of-playing-the-djembe/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Who wants to play dununs and what is a djembe solo?</title>
		<link>http://michaelpluznick.com/2011/08/30/who-wants-to-play-dununs-and-what-is-a-djembe-solo/</link>
		<comments>http://michaelpluznick.com/2011/08/30/who-wants-to-play-dununs-and-what-is-a-djembe-solo/#comments</comments>
		<pubDate>Tue, 30 Aug 2011 15:24:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Drumming]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[djembe fola]]></category>
		<category><![CDATA[djembe lesson]]></category>
		<category><![CDATA[djun djun]]></category>
		<category><![CDATA[doun doun]]></category>
		<category><![CDATA[dunun]]></category>
		<category><![CDATA[dununs]]></category>
		<category><![CDATA[how to play djembe]]></category>
		<category><![CDATA[how to play drums]]></category>
		<category><![CDATA[lead]]></category>
		<category><![CDATA[lead djembe]]></category>
		<category><![CDATA[solo]]></category>
		<category><![CDATA[solo djembe]]></category>
		<category><![CDATA[solo technique]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2641</guid>
		<description><![CDATA[<p>In all my years playing, studying and teaching West African rhythms and percussion I have always come across an interesting and challenging situation. It is really hard to find people, that is to say djembe players, other fellow percussionists or drum students who want to learn the dunun patterns, individual traditional dunun parts and or ballet arrangements on 2 or 3 dununs or more. dununs are also known as djun djuns, doun douns or [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/08/30/who-wants-to-play-dununs-and-what-is-a-djembe-solo/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Djembe drum and percussion workshop with Michael Pluznick in Arambol Goa this winter</title>
		<link>http://michaelpluznick.com/2011/08/17/djembe-drum-and-percussion-workshop-with-michael-pluznick-in-arambol-goa-this-winter/</link>
		<comments>http://michaelpluznick.com/2011/08/17/djembe-drum-and-percussion-workshop-with-michael-pluznick-in-arambol-goa-this-winter/#comments</comments>
		<pubDate>Thu, 18 Aug 2011 03:32:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Drumming]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[djembe class]]></category>
		<category><![CDATA[goa]]></category>
		<category><![CDATA[india]]></category>
		<category><![CDATA[lesson]]></category>
		<category><![CDATA[percussion class]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2606</guid>
		<description><![CDATA[In December I will be teaching a very fun and relaxed two week workshop in West African drumming, djembe, dununs and "non competitive" drumming for all levels in the very beautifu, peaceful and exotic village of Arambol , Goa, India. All levels of drummers are welcomed and you do not have to take the entire course. [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/08/17/djembe-drum-and-percussion-workshop-with-michael-pluznick-in-arambol-goa-this-winter/feed/</wfw:commentRss>
		<slash:comments>27</slash:comments>
		</item>
		<item>
		<title>“Music In Mali: Life Is Hard, Music Is Good” Movie preview</title>
		<link>http://michaelpluznick.com/2011/08/15/%e2%80%9cmusic-in-mali-life-is-hard-music-is-good%e2%80%9d-movie-preview/</link>
		<comments>http://michaelpluznick.com/2011/08/15/%e2%80%9cmusic-in-mali-life-is-hard-music-is-good%e2%80%9d-movie-preview/#comments</comments>
		<pubDate>Mon, 15 Aug 2011 22:02:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[MARTIAL ARTS]]></category>
		<category><![CDATA[Test]]></category>
		<category><![CDATA[Thailand]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[african dance]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Mali]]></category>
		<category><![CDATA[mali dance]]></category>
		<category><![CDATA[mali footage]]></category>
		<category><![CDATA[mali music]]></category>
		<category><![CDATA[tribal]]></category>
		<category><![CDATA[West Africa]]></category>
		<category><![CDATA[west african]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2583</guid>
		<description><![CDATA[I am very happy and excited to tell you about an amazing new film documentary by Aja Salvatore called “Music In Mali: Life Is Hard, Music Is Good”. This feature-length documentary is about the musicians, dancers and everyday people of Mali who are creating inspiring heartfelt music in some of the most difficult living conditions of West Africa.  [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/08/15/%e2%80%9cmusic-in-mali-life-is-hard-music-is-good%e2%80%9d-movie-preview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>There are many kinds and types  of djembe and African drum rhythms</title>
		<link>http://michaelpluznick.com/2011/08/14/there-are-many-kinds-and-types-of-djembe-and-african-drum-rhythms/</link>
		<comments>http://michaelpluznick.com/2011/08/14/there-are-many-kinds-and-types-of-djembe-and-african-drum-rhythms/#comments</comments>
		<pubDate>Sun, 14 Aug 2011 17:20:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Africa]]></category>
		<category><![CDATA[Drumming]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[bolokada conde]]></category>
		<category><![CDATA[djembe]]></category>
		<category><![CDATA[djembe fola]]></category>
		<category><![CDATA[grand master]]></category>
		<category><![CDATA[guinea]]></category>
		<category><![CDATA[Guinee]]></category>
		<category><![CDATA[how to play djembe]]></category>
		<category><![CDATA[jembe]]></category>
		<category><![CDATA[jimbe]]></category>
		<category><![CDATA[mamady keita]]></category>
		<category><![CDATA[mamdy keitta]]></category>
		<category><![CDATA[master]]></category>
		<category><![CDATA[master drummer]]></category>
		<category><![CDATA[we]]></category>
		<category><![CDATA[West Africa]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2538</guid>
		<description><![CDATA[<p>Let&#8217;s face the facts. Until Mamady Keita arrived in the USA we were playing djembe ass backwards. For example, Mandiani was more often then not being played  backwards as Soli, (Donba in Senegal) or visa versa. We were doing the best we could at the time as there was very limited  resources available in the late 70&#8242;s and very few instructors as well. It was prior to the internet and consumer cmcorders were still [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/08/14/there-are-many-kinds-and-types-of-djembe-and-african-drum-rhythms/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Becoming a drummer, &#8220;where do I fit in&#8221; some tips on finding balance</title>
		<link>http://michaelpluznick.com/2011/08/13/becoming-a-drummer-where-do-i-fit-in-some-tips-on-finding-balance/</link>
		<comments>http://michaelpluznick.com/2011/08/13/becoming-a-drummer-where-do-i-fit-in-some-tips-on-finding-balance/#comments</comments>
		<pubDate>Sat, 13 Aug 2011 14:39:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Drumming]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[congas. how to play]]></category>
		<category><![CDATA[djembe]]></category>
		<category><![CDATA[djembe drum]]></category>
		<category><![CDATA[djembe drumming]]></category>
		<category><![CDATA[drum]]></category>
		<category><![CDATA[percussion]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2509</guid>
		<description><![CDATA[Maybe you are a beginer or perhaps you have been drumming a while. A challenge or problem that we all face at one time or another in our drumming life is "where do I fit"? What is the type of music I really want to play and who are the people that I want to play with or learn from? Do I want to freestyle or play traditional music? [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/08/13/becoming-a-drummer-where-do-i-fit-in-some-tips-on-finding-balance/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Introducing the new MP Eco Pro 12&#8243; and 13&#8243; wood djembe drums</title>
		<link>http://michaelpluznick.com/2011/07/22/introducing-the-new-mp-eco-pro-12-and-13-wood-djembe-drums/</link>
		<comments>http://michaelpluznick.com/2011/07/22/introducing-the-new-mp-eco-pro-12-and-13-wood-djembe-drums/#comments</comments>
		<pubDate>Sat, 23 Jul 2011 05:14:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Bali]]></category>
		<category><![CDATA[Drumming]]></category>
		<category><![CDATA[Instruments]]></category>
		<category><![CDATA[MP Eco Pro Djembes]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[bali]]></category>
		<category><![CDATA[bali djembe]]></category>
		<category><![CDATA[djembe]]></category>
		<category><![CDATA[drum]]></category>
		<category><![CDATA[Eco Pro]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[percussion]]></category>
		<category><![CDATA[wood]]></category>
		<category><![CDATA[wood djembe]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2487</guid>
		<description><![CDATA[After field testing and working closely with the Drum Factory and Ed Balma in Ubud, Bali for over a year we now have two new beautiful prototype MP Eco Pro wood djembe models ready for the market, a 12 " and a 13" (6ocm and 65cm) ! They will be distributed in the USA by X8. It's been a long and windy road bringing these drums to fruition but here they are. [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/07/22/introducing-the-new-mp-eco-pro-12-and-13-wood-djembe-drums/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Playing to the click track and other studio tips for percussionists in the recording studio</title>
		<link>http://michaelpluznick.com/2011/07/21/playing-to-the-click-track-and-other-studio-tips-for-percussionists-in-the-recording-studio/</link>
		<comments>http://michaelpluznick.com/2011/07/21/playing-to-the-click-track-and-other-studio-tips-for-percussionists-in-the-recording-studio/#comments</comments>
		<pubDate>Fri, 22 Jul 2011 05:45:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Gigs and gigging]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Recording Studio]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Drumming]]></category>
		<category><![CDATA[engeneering]]></category>
		<category><![CDATA[field recordings]]></category>
		<category><![CDATA[mic]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[recording engineer]]></category>
		<category><![CDATA[recording studio]]></category>
		<category><![CDATA[santana]]></category>
		<category><![CDATA[session]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[vocal tracks]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2443</guid>
		<description><![CDATA[ver the last 25 years or more I have had the great pleasure and good luck to be able to record percussion in recording studios all around the world. My first recording studio experience playing percussion instruments was with my friend and first drum teacher George Terzis. George invited me to a small recording session to play some Brazilian and Afro Cuban rhythms on top of some funk music in Boston in 1979. There were two rooms and I was impressed by all the gear and the organization of all the recording equiptment as well. It was like a top secret spy room from an 007 movie!  [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/07/21/playing-to-the-click-track-and-other-studio-tips-for-percussionists-in-the-recording-studio/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>How to Re-Head a Djembe by Shorty Palmer</title>
		<link>http://michaelpluznick.com/2011/06/29/how-to-re-head-a-djembe-by-shorty-palmer/</link>
		<comments>http://michaelpluznick.com/2011/06/29/how-to-re-head-a-djembe-by-shorty-palmer/#comments</comments>
		<pubDate>Wed, 29 Jun 2011 17:05:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://michaelpluznick.com/?p=2427</guid>
		<description><![CDATA[Have you ever broken your skin on your drum or had your head pop on your djembe drum? I remember way back when I had just bought a new drum at a Mamady Keita workshop from Drumskulls. After the drum class when I arrived back home I put it in my kitchen and walked in the other room. I heard a loud bang. When I walked back in the head was completely ripped apart. What had I done? All I could do at the time was (sob) and call the goood guys down at the drum shop and drive all the way back to Santa Cruz from San Rafael (2 hours away). [...]]]></description>
		<wfw:commentRss>http://michaelpluznick.com/2011/06/29/how-to-re-head-a-djembe-by-shorty-palmer/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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