A conga student asked me recently, “how do I take a solo when I am playing with a band and the band stops, and I am left by myself? No one else is playing, it is just me”? This is a great question and here is how I do it. [...]
            
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Preview the new CD
This is an amazing audio and notation encyclopedia of every djembe and dun dun part for 50 Rhythms! |
 Have you heard of the Mano Secreto? It is the secret hand technique used and first made popular by percussion legends Changuito and also Giovanni Hildago. Prior to these great conga players there was another player named tat Guines in Havana Cuba who was developing this technique. Why is it secret? Because until recently (well about 10 years or so ) no one else could do it. Now everyone is doing it but there are not a lot of great instructional videos about it unfortunately. [...]  My latest instructional DVD, “How to Play Afro Cuban Congas” has just been relased today on earthcds.com. This DVD features almost everything I have learned in the last 25 years or more studying, learning, teaching and performing conga drums around the world. There is in depth looks at all the major rhythms with break down sections, slow motion and different vantage points as well. [...]  My first drum teacher used to chant repeatedly, “minimum input maximum out put” when it came to the topic of playing techniques and how to hit the drum. It was true over 30 years ago and it is still true now. What he was talking about is that it is not important how hard you hit the drum but it is about the technique you use. [...]  Respect yourself, respect others. Sometimes if you are new to an area and trying to break into an unfamiliar world music scene or drumming situation a subtle approach is better then an aggressive approach. [...]  What do you do when you are completely cold and suddenly have to play hot? Last night the islands best trumpet player performed with his band at Bali’s version of Yoshis called interestingly enough, Ryopshi’s! Any coincidence? Great sushi and great tunes. Rio Sadik, the trumpet player, singer and “star of the show”, ( as James Brown would say), was in rare form. The venue was so packed you could not move. Raymond, my impromptu agent and good friend here in Bali, Indonesia called his long time pal Rio earlier to confirm me sitting in but I think I got there way to late and there was already another conga player there. [...]  People often ask me about a training program. What could they do to improve their drumming and or improve more rapidly? I put together the following suggestions based on my own training program that I have followed for many years. Those of you who know me personaly know I am a bit of a fanatic so of course you can tone down the program to suit your own personal needs. So just take a few ideas from here or all of them. “Arai gor dai” as they say in Thailand (“up to you”)! So pick and choose and enjoy your practice and training ritual. remember it’s “playing” and playing is FUN! [...] 
Injuries while playing drums can happen to anyone from the most beginning player to the most advanced. One of my favorite players and teachers Karmba Diabate for example is constantly in pain. His hands constantly hurt. He get’s amazing sound from his djembe, but at a price. I have seen every player at every level with hand or finger injuries.
proper hand technique
So, what do we do to not [...] 
“With out strong framework the house will collapse’. In this ‘follow along” video/ conga lesson we will begin to explore how to position your hands and also how to make basic sounds on the conga drum. This is part one. For more info go to: www.michaelpluznick.com  These are really nice , sweet sounding drums, and the finish is beautiful as well. They come as a set with a nice folding stand which is great if you are playing in a band. I also tried the Tumba which has a deep, rich bass tone. The drums come in a choice of two different finishes and also having matching bongos which are crisp and clean. The drums are medium to light weight and a bit shorter then Toca’s other drums. I prefer the shorter drums as I like to play sitting down. [...] 
Pello El Afrokan
In 1985 we traveled to Cuba to learn about Cuban culture, study the music and experience the Cuban lifestyle. We were young and looking for musical and cultural adventures . While staying at the hotel in Havana we met Pello el Afrokan in our lobby. We told him about our quest to study Cuban music, rhythm and dance and he took our small group of friends on [...] 
“With out strong framework the house will collapse’. In this ‘follow along” video/ conga lesson we will begin to explore how to position your hands and also how to make basic sounds on the conga drum. This is part one. For more info go to: www.michaelpluznick.com 
Excerpt from a recent Afro Cuban conga drum and percussion class given by Michael Pluznick in Raymond Rauchs art studio in Ubud Bali Indonesia. This video featurs the rhythm named “Comparsa” (aka “Conga) from Havana Cuba. http://www.cdbaby.com/cd/michaelpluznick “Rumba Columbia Caha” is from the new CD entitled available on I Tunes! enter: michael pluznick. ‘Rythym Intergration’ by Michael Pluznick featuring a variety and fusion of different vocal traditions by Perdo De Jesus and Tika Morgan with percussion by Michael Pluznick, this piece uses congas. Shot with Nikon D90 digital slr camera and sony cybershot dsc-w290 and Panasonic GF1 4/3rds camera http://www.cdbaby.com/cd/barabajaba This video is: Barabajaba Live in Puna: “Maracatu” w/Lisa Dixon and her Brasilian dance group. Taken at a performance @ Kalani resort in Puna (Pahoa) Hawaii and it features Brazilian drum and dance with Boaz Hashimoto Martin playing lead drum *(quinto) or solo. “With out strong framework the house will collapse’. In this ‘follow along” video/ conga lesson we will begin to explore how to position your hands and also how to make basic sounds on the conga drum. This is part one When an established conga player transitions to learn to play djembe he or she has certain advantages and disadvantages. When you play congas, there is much emphasis on pushing in to the drum to make tone. On a goat skin djembe, do to the thin tight skin, you must pull the sound out. work on pulling and keeping your hands in near the rim Despite this energetic difference, the technique for making tone [...] Don’t let your ego in the way of making you a great drummer. A great freind and teacher used to tell us before class. “Leave your ego at the door”. When we come together to drum, to learn or to play together it is important we come with respect for each other no matter what level of playing we are at. Everyone can drum and everyone has their own unique beat or inner rhythm. [...] In this video I will show you have to play the traditional Afro Cuban Folkloric rhtyhm Mozambique on four conga drums. This video features Bangkok’s inner city, architecture and temples along with a nice sunset and other Asian and Thai scenarios. This musical composition was a collaboration with maestro Jim Chapelle, percussionist Michael Pluznick and arranger, composer, and guitarist Joel Lindheimer. The music is based on the uptempo and festive Afro Cuban traditional and folkloric carnival percussion arrangement know as Comparsa. Havana Cabana is a new percussion song on the CD entitled Heat Beat by Michael Pluznick, and features Michael P on congas, cahon, caha, bongos and other misc. percussion and drums in a rumba albierto (open rumba) or invento pattern/concept. |
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