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 The new MP Signature Model Eco Pro 12″ and 13″ wood djembes have arrived in the UK and are avaialbale at WRP (World Rhythm and Percussion) now.. These drums are made in Indonesia from plantation wood which is planted and replanted responsibly. I have been working on these drums for about two years now and also field testing them all around the world and I am really happy with the sound and feel! [...]
 My latest instructional series on how to play the djembe and west african drumming styles is now available for easy downloads at X8drums.com. This easy to follow tutorial series features easy to follow instructions, over the shoulder shots and special slow motion sequences to make your learning experience easier and fun! Please check it out at X8drums.com where you can see and hear a free sample. [...]
 This is the first opportunity ever for people who work with rhythm to come together in Asia to network, discuss our knowledge and experience, share our “rhythmical spirit”, and (best of all) have crazy fun together in a tropical setting at one of Malaysia’s best beaches. (Did somebody say “Late night”?) [...]
 Michael Pluznick has been recording with a variety of musicians with great pleasure and success for over 25 years. He has collaborated with Todd Rundgren, Jerry Garcia and Mickey Hart ( both of The Grateful Dead),Clarence Clemmons (Bruce Springsteen), Raul Rico (Santana) and Jim Chappell, among others. Designed and manufactured in Bali, Michael worked closely with master carvers and artisans to create a djembe drum that he believes rivals most high-end African made drums in sound, look and definitely 100% in quality. One of the major upgrades to this drum is additional carving on the inside of the drum which creates a larger “choke” or opening for the sound to exit from. The choke should always be larger then your fist size when placed in the opening. He also added a bicycle tire to the bottom of the drum to protect your floors, other peoples floors, to stop the drum from whacking and splitting and to make it easier to hold when you are drumming sitting down. Once you try a drum with a tire on the bottom you will want one on whatever drum you are playing. Legally Harvested Wood Michael’s goal in making this signature drum was to try and design an “eco” drum from “good wood” and also to make a drum that looks, sounds and feels like the best west African drums at a price of almost half their cost. The trees used in manufacturing these drums are replanted and it is regulated and observed closely. The wood that these drums use cost twice as much as the “smuggled” and illegal wood, but to Michael it is worth the cost to try to at least be conscious about it. Kiln Dried The Eco Pro djembes are kiln dried and tested for humidity and moisture. This prevents long term problems with the shell cracking or changing shape over time. The Sound Please watch the videos and see for yourself. These drums have full rich tone, deep bass and a snappy high with slaps that really “POP”! The larger 13″ drum is really remarkable in that it covers so much ground. You can use it as a solo drum, accompaniment drum or anywhere in between. Because of the remarkable strength of the wood and roping methods you can pull these drums as tight as you want. They won’t warp like some lighter drums do. The smaller drum at 12″ is still a nice size, relatively light in weight and has remarkable presence and projection of sound. Despite being a screamer on the high end (if you crank it up) [...]
 Well folks, it is finally here! After a very long road of playing, videoing, shooting, editing and re editing I am very excited to let you all know that my all new DVD, “How To Play Djembe” Volume 1 is now available at X8drums.com. It is over 1 hour and 40 minutes long and covers every possible aspect of how to play the djembe! [...]
 West African hand drumming and specifically speaking, “traditional djembe drumming” is based on a system of fundamentals or “basics” just like any other type or form of drumming be it Indian, Afro Cuban, Brazilian or even the western drum set. There are rudiments or “basic fundamentals” of djembe playing that can be similar to drum set rudiments but also have some other important factors that are often missed in the learning process of many djembe players of all different levels. And what are djembe rudiments? They can consist of techinque, basic rhythm structure concepts, composition (how pieces are formed and go together), “the feel”, learning the basic djembe hand patterns and learning the dunun. It is also important to learn about the history of the music you are playing and the meaning of the pieces as well. I will discuss some of these items now. [...]
 Let’s face the facts. Until Mamady Keita arrived in the USA we were playing djembe ass backwards. For example, Mandiani was more often then not being played backwards as Soli, (Donba in Senegal) or visa versa. We were doing the best we could at the time as there was very limited resources available in the late 70′s and very few instructors as well. It was prior to the internet and consumer cmcorders were still [...]
 Maybe you are a beginer or perhaps you have been drumming a while. A challenge or problem that we all face at one time or another in our drumming life is “where do I fit”? What is the type of music I really want to play and who are the people that I want to play with or learn from? Do I want to freestyle or play traditional music? [...]
 After field testing and working closely with the Drum Factory and Ed Balma in Ubud, Bali for over a year we now have two new beautiful prototype MP Eco Pro wood djembe models ready for the market, a 12 ” and a 13″ (6ocm and 65cm) ! They will be distributed in the USA by X8. It’s been a long and windy road bringing these drums to fruition but here they are. [...]
 I recently received a 2 DVD set from Ultimate Guru Music Company in India of a very interesting musical percussion artist named Taufiqu Queresh. The first thing I noticed is the quality of the box, artwork and packaging. Very well done! When you open the box there is full color booklet attached to the box so you will not loose it. The design of this project was very well thought out. The book includes photos, credits and sound explanations. [...]
 You have just been to your first drum circle and you are fully charged up and excited to play drums. Or maybe you have been to several drum circles or drumming events. It was fun and exciting to play your drum with other people. You want to do it more and more. So what happens next? Maybe you are having fun playing in your home to a CD, DVD, iTunes or by yourself at the beach. [...]
 My first trip to Africa was to Mali ,West Africa. I was always scared to go to Africa even though all my friends and students had already gone and the reports were always very positive. I was scared of getting sick. I heard the horror stories of people getting sick there, the poor hospitals, bad conditions and everything else. But in the back of my mind since I first started playing in the 70′s I knew I would go, I knew I had to go. I was just waiting for the right timing, [...]
 I love to play djembes and I also love to study the music we make with djembes. Djembe soloing is a very small part of djembe music as a whole. The djembe is a communal drum and is about community and unity. We all (myself included) get caught up in being the soloist as it is so much fun! But keep in mind that it is about a whole group of people, musicians,dancers and others, too! [...]
 My first drum teacher used to chant repeatedly, “minimum input maximum out put” when it came to the topic of playing techniques and how to hit the drum. It was true over 30 years ago and it is still true now. What he was talking about is that it is not important how hard you hit the drum but it is about the technique you use. [...]
 Toca artist and Toca endorsee Michael Pluznick shows the fun Zaouli break and Kuku solo technique for djembes and dunun on Toca Stage Series Pro wood djembe and Toca Freestyle Djundjuns. [...]
 This last month I had the good fortune to be able to go to Bali once again. My focus was on teaching west african drum classes in Ubud and also playing with every band I could sit in with or gig (work) with. I had no idea that the musicians and drummers I would meet would be so receptive and talented. I had many interesting and surprising moments and experiences there as well. [...]
 Does age matter when playing or performing drumming and percussion music? Yes and no.Many of us who have been playing for a while would obviously like to keep playing for a while. I myself am over 50 years old. I am constantly playing with players half my age and sometimes more. Of course there are always going to be some age or physical limitations, but there does not have to be any cramp in your style and with the proper maintanance and care of our bodies there should be no reason why we can not play well into our 90′s! They do in Africa! [...]
 Respect yourself, respect others. Sometimes if you are new to an area and trying to break into an unfamiliar world music scene or drumming situation a subtle approach is better then an aggressive approach. [...]
 People often ask me about a training program. What could they do to improve their drumming and or improve more rapidly? I put together the following suggestions based on my own training program that I have followed for many years. Those of you who know me personaly know I am a bit of a fanatic so of course you can tone down the program to suit your own personal needs. So just take a few ideas from here or all of them. “Arai gor dai” as they say in Thailand (“up to you”)! So pick and choose and enjoy your practice and training ritual. remember it’s “playing” and playing is FUN! [...]
 If you are a gigging drummer or musician and just starting out playing here is some important advice and information. I am going to share some information with you that will help you to never have to suffer the way I have with unreliable people or people that do not understand or respect drumming or drummers. [...]
 I will be teaching an intensive, intermediate to advanced small group djembe and dunun workshop for a limited number of people in Ubud, Bali. We will meet daily and cover some very nice pieces I learned in my travels to Guinee and Mali West Africa such as Mali style Sunu in 4/4 with opening and closing interlude breaks, traditional solo phrases and techniques and dunun arrangements for one or several players. I will be [...]
 When you are buying a djembe there are numerous things to look for to assure you are buying the right drum for your self. Here is a guideline of features to be aware of and look for. When buying a djmebe the first thing you want to look at is the wood shell. Put a towel or something soft (or card board) on the ground and turn the drum upside down. Inspect the inside of the drum carefuly using a flashlight if you have to. Look for cracks that go all the way through the drum. You have to check very carefully as the cracks are often carefully concealed and they may or may not be problematic later on in the drums life. [...]

Injuries while playing drums can happen to anyone from the most beginning player to the most advanced. One of my favorite players and teachers Karmba Diabate for example is constantly in pain. His hands constantly hurt. He get’s amazing sound from his djembe, but at a price. I have seen every player at every level with hand or finger injuries.
proper hand technique
So, what do we do to not [...]
 One of the first most important lessons to learn when we first buy or get given a drum is to respect the instrument as you would any other instrument such as a violin or guitar. The drum is so much fun many of us do not even think of it as an actual musical instrument and frankly in our western culture, many people do not see drums as musical instruments. So lesson one from [...]
 n this lesson excerpt we look at the Kassa family of rhythms. This is the Saraya variation shown on dununs “down” style also known as “ballet” style. [...]
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About Michael 
Michael Pluznick is a studio musician and recording arts specialist. Read more about Michael.
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