Djembe players. In West African djembe drumming (and derivative forms), a djembe solo serves multiple purposes. It acts as a ride, complementing the phrasing and interaction with dancers or other drummers. But it is also an extension of the basic individual accompaniment parts for any given piece. These accompaniment parts consist of short grooves and repetitions, essentially creating a phrase that positions you in the correct space and groove for the rhythm arrangement. Playing them with intention, commitment, and energy is immensely valuable on multiple levels. It not only supports others but also strengthens the entire group. Moreover, these accompaniment parts, such as the 4/4 accompaniment or universal “passport” type parts, can be used in various musical situations, jam sessions, bands, and more. The idea of playing a steady, simple, and uncluttered mantra-like part or groove that repeats creates a space that others can easily interact with. It acts as a cohesive element that holds everything together. Playing accompaniment not only supports others but can also be groovy, moving, and fun in its own right. It simply requires a different mindset—one that is not driven by ego.

We have often been conditioned to believe that more is better, always filling in any gaps. However, being busy does not necessarily equate to being better. Spending time playing accompaniment will make you a stronger player and help you learn how to integrate with others. It will also teach you about the fluidity of music, like riding waves. When you play accompaniment correctly, it’s akin to being a surfboard or boat riding a long wave—you catch and enter it at just the right time. It still requires force, but it’s a delicate balance between exerting energy and allowing yourself to go with the flow.

Understanding how accompaniment works, how it fits in with others and various musical situations, jams, and drumming in general, will provide you with a foundation for creating solos that blend and work harmoniously with the entire ensemble. Instead of simply soloing on top of a piece with disconnected bits and chunks, you can work from within the piece itself. When you start your djembe solo from an “accompaniment consciousness” or build it from an accompaniment part, you are diving into the wave and groove, rather than just riffing on top of it. Please don’t misunderstand—I acknowledge that riffing and playing on top of a rhythm is valid. However, it’s crucial to begin from a solid foundation and rhythmic understanding.

So, as you can see, playing accompaniment goes beyond merely playing simple parts. It involves being supportive and constructive simultaneously. Next time you find yourself in a jam, try playing a simplistic accompaniment part that repeats. While doing so, make sure you can hear everyone else and lock into their rhythms. Pay attention to how the entire rhythm locks together as a cohesive unit.