Changuito: The Master Timbale Player and Percussionist

In 1985 I went on a musical tour to Cuba to study drumming and also attend the Veradaro Jazz Festival. While at the festival my friend Rob Holland who was also on the tour told me to get up and go film the timbale player for the group Los Van Van, who I had never seen or heard of before. Rob is an expert on all forms of Cuban music and really knows his stuff. I did not know it at the time, but I was filming the legendary and incredible Changuito!

While I stood behind him he took an almost 20 minute long solo. I had never seen heard or experienced anything like this before. Truly amazing!

At the time, the only other video of him, was a video of him showing a famous student the secret and technique on a table. The video was very hard to acquire. In those days, prior to computers and the internet there was very little sharing of information.

José Luis Quintana, better known by his stage name Changuito, is a legendary timbale player and percussionist from Cuba, renowned for his innovative contributions to Latin music, particularly in the genres of salsa and son. He is also known for his famous conga drum style and the maneuver called Mano Secrete, or ” secret hand”.

The secret hand technique in its most basic form is a drum roll. It consists of 4 beats in its most basic form then continues on once you get it to more beats different hands (both hands and on and on. It starts with a strike (slap) on your right hand, then there is a heel or palm hit with your left hand followed by a hit with your finger tips with the same hand. People call this a shuffle, heal tip or other names.

Your left hand actually rocks as if it was a paddle or board. Together, it forms a roll. When played at super top speed, which he and Giovanni Hildago became known for, it took on an almost supernatural effect.

His playing style was different then any previous players and he really changed how timbales are looked at and played. His exceptional skill and profound musicality have left an indelible mark on the world of percussion, making him a sought-after figure amongst musicians and a significant influence on generations of drummers.

Unfortunately, (for me) several people have taken this video and posted it without giving us credit . This is the original video that I took in 1985. I believe this is the first non commercial video of him, or at least the first one put into circulation as home video recorders were not popular or the norm yet.

Musical Origins

Born on November 14, 1948, in the vibrant city of Havana, Cuba, Changuito grew up surrounded by a rich musical heritage that included Afro-Cuban rhythms and the sounds of son montuno, rumba, and jazz. His passion for music emerged at an early age, and he began playing percussion instruments while still a child. Drawing inspiration from the rhythms that filled his environment, Changuito honed his skills on various instruments, but it was the timbales that particularly captured his interest.

Rise to Fame

Changuito first gained widespread recognition as the timbale player for the iconic Cuban band Los Van Van, which was founded in 1969 by the legendary musician Juan Formell. This innovative band blended traditional Cuban music with rock and jazz elements, and they played a pivotal role in the development of the “salsa” genre. Changuito’s unique timbale style, characterized by rapid-fire rhythms and intricate patterns, became a hallmark of the band’s sound, helping to propel them to international fame.

One of Changuito’s most notable contributions to music is the incorporation of multiple percussion instruments into his playing. He is known for his use of bells, congas, and other percussive elements alongside the timbales, creating a rich, layered sound that enhances the overall rhythmic foundation of the music. His innovative approaches have also inspired countless percussionists to explore the possibilities of blending different instruments and sounds.

Influences and Innovations

Changuito’s playing style is distinguished by his ability to seamlessly integrate complex polyrhythms. He has a unique ability to maintain the traditional timbale sound while infusing it with modern influences, contributing to the evolution of Latin percussion. His rhythmic patterns often include syncopation and cross-rhythms, which create dynamic energy and drive in the music.

One memorable story about Changuito highlights his creativity during a live performance. At a festival, he found himself without a full drum kit. Instead of letting this setback hinder his performance, he adapted by playing his timbales and integrating unconventional techniques. He used various found objects, such as a water jug and his own body, to generate sounds that complemented the band. The resulting performance was not only a display of skill but also a testament to his ability to think on his feet and transform challenges into opportunities for musical expression.

Legacy and Influence

Beyond his work with Los Van Van, Changuito has collaborated with a diverse array of artists, including renowned musicians such as Eddie Palmieri, Rubén Blades, Tito Puente, and Marc Anthony. His contributions to countless recordings have made him a prominent figure in the Latin music scene.

Changuito’s influence extends beyond the stage and studio; he has also dedicated time to teaching and mentoring young musicians, passing on his knowledge and passion for percussion. He has conducted workshops and masterclasses around the world, inspiring a new generation of timbale players and percussionists.

Conclusion

Changuito’s impact on the world of timbale playing and Latin music is immeasurable. His innovative techniques and rhythmic prowess have not only defined his career but have also influenced countless musicians. As a bridge between traditional Cuban music and contemporary styles, Changuito continues to be celebrated as a master of his craft. His ability to adapt, innovate, and inspire others cements his legacy as one of the most significant figures in modern percussion. His story is one of creativity, resilience, and passion for the profound art of rhythm—a true testament to the spirit of Cuban music and culture.